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Posts Tagged ‘Historia’

For more than six years- since the signing of a cooperation agreement on 29 November 1962 – the Franco-British supersonic aircraft programme had fascinated the entire world. The design and construction had been successfully carried out by Sud-Aviation and British Aircraft Corporation. That of the jet engines by Rolls-Royce and Snecma. Among other headaches, the challenge of overheating structures at supersonic speeds had to be dealt with and they had overcome it.

001 was presented to the world in late 1967, at which point testing could be accelerated, overseen in Toulouse by chief test pilot André Turcat – then in-flight test director at Sud-Aviation -, who was naturally chosen to pilot 001. Alongside him was an elite crew comprising co-pilot Jacques Guignard, navigator-engineer Henri Perrier and Michel Rétif, the chief flight engineer.

At 3:40pm, the aircraft began its run, its four afterburners sending it roaring up into the skies above Toulouse, flying a wide loop escorted by a Gloster Meteor which transmitted live TV images of the aircraft in flight. After 28 minutes in the air, Concorde touched down before the cheering crowds, with a smiling André Turcat telling the press, in his characteristic understated manner that “the aircraft flies well”.

Concorde – figures and facts

– “Concord” or “Concorde”? The word means “agreement” in French and English. In 1967, British Secretary of State for Technology, Tony Benn, decided that Concorde would take a final “E”, which stood for “Excellence”, “England”, “Europe” and “Entente cordiale”!

– January 21, 1976 – first commercial flight between Paris and Rio de Janeiro via Dakar.
May 31, 2003 – last commercial flight between New York and Paris.

– June 30 1973 – chief test pilot André Turcat, followed the total solar eclipse at the controls of the F-BFVA (Concorde 001 – first serial aircraft delivered to Air France in 1976).

– In his book about the supersonic aircraft, André Turcat emphasized that “the housewife’s Teflon frying pan, fiberglass offshore rig bearings, machine tools or pleasure boats, push bars and connecting rods in the automotive industry have widely benefitted from the Concorde’s technical advances”.

– 1976 – to celebrate the supersonic jet’s arrival, the design of a new uniform – intended for the Concorde stewardesses – was entrusted to the Jean Patou fashion design house.

– Concorde is synonymous with style and prestige. No fewer than three prestigious designers took it in turns to design the cabin’s interior – Raymond Loewy, Pierre Gautier-Delaye and Andrée Putman. The CDG lounge seats were designed by Le Corbusier and the in-flight tableware was signed by Christofle.

– In the collective memory, Concorde connected Paris New York in 3 hours 45 minutes. But Concorde also flew to Havana, Rio de Janeiro, Dakar, Caracas, Mexico, Washington, Dallas, to name but a few.

– In 1992, Air France carried the Olympic flame between Greece and France, by Concorde! The flame thus broke a record by maintaining the speed of 600m/second between Athens and Greece for 55 minutes. Enclosed in a container, the flame was kept alight by a special fuel designed by Air France to avoid any risk of accident.

– Concorde’s father, Lucien Servanty, died in Toulouse in 1973 at the age of 64 without having ever flown aboard this plane.

– The Concorde in a few figures:

Capacity: 100 passengers
Length inside the cabin: 2.63 metres
Speed: 2,200 km/h, i.e. twice the speed of sound (Mach 2.02)
Total length: 62.19 metres
Wingspan: 25.56 metres
Wing surface: 358.25 sq. m
Empty weight: 79.265 tonnes
Cruising altitude: 16,000 to 18,000 m
Noise level on take-off: 119.4 décibels
Consumption per passenger: estimated at between 14 and 17 litres per 100 kilometres flown (four times higher than a current passenger aircraft – 4 litres/100 km on average -)
Air France flight hours: 90,087
Air France landings: 33,183
Number of passengers carried by Air France: 1,414292

Text: corporate.airfrance.com

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Statuette of Sobek, Ancient Egyptian, -664, Art Institute of Chicago: Arts of Africa

Here the crocodile god Sobek, associated with water and the Nile River, wears an elaborate crown adorned with horns, feathers, and a uraeus (sacred serpent). Egyptian gods were commonly depicted with human bodies and animal heads. The animal referred to the god’s personality or characteristics, not his or her appearance. For example, the crocodile head of Sobek alludes to his fierceness.

Statuettes like these were offered to the gods to ask for their help or in thanks for their assistance. Gift of Henry H. Getty, Charles L. Hutchinson, and Robert H. Fleming Size: 16.7 × 4.5 × 5 cm (6 5/8 × 1 7/8 × 2 in.) Medium: Copper alloy

https://www.artic.edu/artworks/120299/

Source: aic-african

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Mary Magdalene, 1877, Dante Gabriel Rossetti

Dante Gabriel Rossetti, an English poet, illustrator, Pre-Raphaelite painter and translator.  

Source: artist-rossetti

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清 佚名 文殊騎獅圖 軸 : Qing Dynasty Anonymous Manjusri Riding a Lion Shaft

Gift of the Estate of Lillian Genth, 1953 Metropolitan Museum of Art, New York, NY Medium: Hanging scroll; ink and color on silk

Public domain works from the Met’s Asian Art department. Not associated with Metropolitan Museum of Art in New York.

http://www.metmuseum.org/art/collection/search/36069

Source: met-asian

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Poster. Printer: Imp. P. Vercasson, Paris

“Sacha Guitry (1885-1957) was one of the major celebrities of the French theater; here, he both wrote and starred in Jean III at the Comédie-Royale, a play in which a young prince, who just happens to dabble in amateur theatricals against the wishes of his family, jumps at the chance to play himself in a local production, with expected hilarious results. The play opened on March 7, 1912.

Cappiello’s depiction of Guitry is grounded in the caricature tradition, catching the actor’s dashing stage presence with acute insight.”

Source: Books and Art

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Source: spitogata

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Size: Overall: 32.4 cm (12 ¾ in.) Medium: black-figure terracotta

https://clevelandart.org/art/1929.135

Source: cma-greek-roman-artcma-greek-roman-art

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Lawrence Alma-Tadema, a classical-subject painter famous for his depictions of the luxury and decadence of the Roman Empire.

Source: lawrence-alma-tadema

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Guardians of the Underworld

Gate guardian deities from the realm of the Underworld, detail of the 3rd guided shrine of Tutankhamun, decorated with scenes from the ‘Book of the Dead’ to aid the king’s journey after death. 

From the Tomb of Tutankhamun (KV62), Valley of the Kings, West Thebes. Now in the Egyptian Museum, Cairo. JE 60667

Source: egypt-museum

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Ancient Egyptian Ladies

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Vintage: Marilyn

Marilyn Monroe in “Gentlemen Prefer Blondes”

Biografía: Marilyn Monroe (1926 – 1962) | Vogue

Biography: en.wikipedia.org/wiki/Marilyn_Monroe

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Diego A. Maradona (1960-2020)

Source: unanimodeportes.com

https://es.wikipedia.org/wiki/Diego_Maradona

https://en.wikipedia.org/wiki/Diego_Maradona

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The Vengeance of Venus, 1908, Maurice Denis

Maurice Denis, a French painter and writer whoes theories contributed to the foundations of cubism, fauvism, and abstract art.

https://en.wikipedia.org/wiki/Maurice_Denis

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Stephan Abel Sinding (1846-1922) was a Norwegian-Danish sculptor. He moved to Copenhagen in 1883 and had his breakthrough the same year. In 1890 he obtained Danish citizenship. In 1910 he settled in Paris where he lived and worked until his death in 1922.

Stephan Abel Sinding was born in Trondhjem as a son of mining engineer Matthias Wilhelm Sinding (1811-1860) and Cecilie Marie Mejdell (1817-86).

Stephan Sinding – Wikipedia: https://en.wikipedia.org/wiki/Stephan_Sinding

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An Idle Hour, 1890, John William Godward

John William Godward, an English painter from the end of the Neo-Classicist era.

Source: john-william-godward

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Medieval Castles

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Frederick Childe Hassam, an American Impressionist painter, noted for his urban and coastal scenes.

Source: artist-childe-hassam

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Oinochoe (Pitcher), Ancient Greek

Oinochoe (Pitcher), Ancient Greek, -325, Art Institute of Chicago: Ancient and Byzantine Art

This vase depicts a woman shown running to the right, but turning back to the left. She wears a peplos and a white sakkos (hat), snake bracelets and a necklace. She carries in her right hand a wicker-work kanoun (topped by pomegranates and what seem to be small torches), as well as a fillet and a rosette wreath over her forearm. In her left hand is a large fan. Below her left arm is a large, elaborate tambourine.

The Art Institute of Chicago. Size: 37.4 × 13.9 × 13.9 cm (14 3/4 × 5 1/2 × 5 1/2 in.) Medium: terracotta, decorated in the red-figure technique

https://www.artic.edu/artworks/245/

Source: aic-ancient

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A Sea Spell, 1877, Dante Gabriel Rossetti

Medium: oil, canvas

Gabriel Rossetti, an English poet, illustrator, Pre-Raphaelite painter and translator.

Source: artist-rossetti

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Spirit Of Spring, 1894, Alphonse Mucha

Alphonse Mucha, a Czech Art Nouveau painter and decorative artist.

Medium: oil, canvas

Source: artist-mucha

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